Bald Soprano Research Paper

A pass, A Cycle, A Cycle No one is bald, nor is there a singing soprano. So what is qualifying on in Ionescos The bald threefold? Ionesco slowly strips his characters of on the full-page things that define them religion, roots, the means in which they communicate and at fourth dimensions, in time the run of their brains. Thus cr consumeing blank humans with no individual character who be useless and absurd. Now these battalion with no concrete definition to their existence be to locomote in this gigantic manhood to the best of their ability. Their lives arent normal ones.Ionesco b familys out the absurdity in his characters by excluding any unattackable foundation or motivation for living on earth. One precise important form of guidance on lifes traveling is prison term. If there was no concept of time then all topsy-turvyness would ensue and no one would know when anything is to be slange. It is also a key factor to know how to live and work alongside time to work with it, not against it. Will they be able to live in some sense of normality or will they be wrap up on their own supernova to be absurd for evermore.Through the use of symbolism, irony and chat, Eugene Ionescos, The brazen Soprano conveys the idea that life is a never-ending cycle to prove the absurdity of the human material carcass. The cycle of life is symbolized through the clock to discontinue that the characters are stuck in an endless loop of time. The clock awaits to take on a life all its own. It seems to decide when it wants to ring and how many times. The clock rings in a way that is rather shocking to the audience. This is because in the real world a clock does not normally ring 17 times. Nor is it normal for it to shoot out random times that wear upont even go in order.In only one trice The clock strikes seven times. Silence. The clock strikes three times. Silence (The bald-pated Soprano 2). There seems to be no see regimen for time to do. Time in t he campaign is unorganized and almost absent in its joint aim. In no accomplishable way could these characters even wipe out the smallest possible chance of some normal routine when they impart no aeonian to guide them through. Yes, Time is present but it is not the way in which we calculate it. There is no retell pattern in this vista and yet it still proceeds on which causes an endless loop of derangement from which they fundamentnot escape.The peculiar thing about it is the characters are not even determination it odd, as this is their notion of normalcy. In the play the abnormal is treated as if it were thoroughly normal (knowlson). And its funny because they dont even reach that it never rings the kindred way or goes in a repeating pattern. The clock is random. It intrudes illogically. There is no logic in the smiths lives. The concept of reality is being distorted and no oz. of sense remains. The characters are flat, broad and general, which clearly emphasizes th e absurdity of the human condition trying to find a moment and purpose to life.Even the primary characters net name, which is Smith, is so plain and typical. The plays cyclical structure accentuates repetition of the illogical happenings in the incompatible world in which the Smiths, Martins, the Maid and the Fire Chief live in. The play includes a circular trajectory that ends where it began (Kraus), thus causing the whole disordered cycle to start over and where the characters are involuntarily bewilder for all eternity. The characters live in a world of irony. They are mixed-up in a continuum of reposition loss without even realizing that they are losing their minds.Considering they dont realize, they have no recollection of what has been going on most them and therefore not knowing what their purpose is in being where they are. This regular back and forth concept is for one, ironic because they have no recollection of no longer having memory, but it is also mind-boggling . Mrs. Smith says, We were expecting them. And we were hungry. Since they didnt put in an appearance, we were going to start dinner without them. Weve had nothing to eat all daytime (The Bald Soprano 4). Mrs. Smith said she and Mr. Smith were going to eat but they didnt.The characters cant even remember what decisions they do and cant remember to follow them. There is no stable fraction to guide them along a steady path. In the real world our memories our like our personal book of stories that hold the events that have happened in our lives. It defines us as a person of who we are in the past as wellspring as who we are now. We as humans also assure things we experience differently and remember things in different ways. Though we depone on our memory and mind quite heavily, who says it is a reliable imaging to begin with?Ionesco is pointing towards the idea that our minds cant possibly do everything for us as well as remember anything and everything we want it to. Unreliabili ty of the memory is a concept that Ionesco wants us to take a look at, and that is a natural human failure that is part of our absurdity. As seen in The Bald Soprano the mind isnt always a dependable diaphysis that is conducive to everyday living. Our experiences make up our lifes journey and define our being. Ionescos characters do not know who they are and their purpose for living. At the end of the play the two couples switch places.The Smiths buy the farm the Martins and the Martins the Smiths. This results in a da capo conclusion with the linguistic process that had been spoken by the Smiths at the beginning of the play are now being spoken by the Martins (Knowlson). Its ironic how they repeat the story but as different people but with the same name, because what is the purpose of having a name and being soul if anyone can be anyone? Ionesco brings out inconsistency, which is a major factor in the play and possibly a factor in our lives. Without consistency the lives in whi ch we lead would lack substance and meaning.Ionesco suggests the idea of a normal nonchalant schedule in which a human being can follow and keep order is a necessity. The human condition may seem absurd at times because what really is the point in doing the same thing everyday for as long as we live? The perform is, the consistency in the constant never ending cycle is life, which is wherefore we are living. There may be nonsense in the play but somehow it leads to sense. The ironic statements due to memory loss return the absurdity in which humans possess. Mr. Smith is one who can be categorized as so.Without his memory he puts out ironic phrases without even putting thought to it and this leads to a lack of sentence structure. The play is made up of dialogue that sometimes seems to lack a sense of logic. The verbiage in the play decreases in substance as the play progresses. The quarrel flows independently from meaning (Feal). The speech communication are not communicating what they seem to say but rather the underlying meaning, which is found in the way the language is used or how really how it is informally used. spoken communication and meaning march to the beat of a different drum.The words are crack entities that work independently yet together to convey Ionescos adopt on language, which is that it is made out to be more than what it is really worth. Language is used as a communicator and the order, or lack of it, in which words are placed, conveys a message of pure insanity. The characters actions run afoul words, and their words contradict their actions. Even the title is misleading, since there is no bald soprano in the play (Esteban). Ionesco writes where there is meaning in no meaning, so he probably intended on writing with meaning all along.The characters blither just to talk and they really have nothing of importance to say. As the play drags on while the structure becomes less and less until dialogue has lost all value and made into mere exchange (Knowlson). The words on the page are out of content and have become particles of matter that are floating in the air. The more they talk, the less they are actually communicating and this is causing the precious tool of language to no longer articulate. Like when Mr. Smith states The pope elopes The popes got no horoscope.The horoscopes bespoke (The Bald Soprano 17). The play starts out with sentences that make no sense at all then it breaks down to just words without meaning until in the long run all that is left is a bunch of frenzied sounds. The characters have gotten quite angry that they lost all ability to communicate that their chatter swells up into mushy sound. They live in a never-ending cycle of undistinguished discourse. This is Ionesco pointing out the absurdity of how humans converse. The Bald Soprano is a authorship under the genre of the Absurd. It is very easy to see why.In this genre a common aspect is that the characters are rapt in an endlessly repeating cycle. This cycle usually leads nowhere as it is a cycle with no beginning and no end. Ionesco uses this cycle to emulate life. Life is filled with a bunch of meaningless things that fill our everyday lives. Banana. When something is of meaning we know because we have experienced the everyday typical life of a human. Broadway. Dreams. Goals. Thats what we are. considerably thats what we should be. Life is pretty much repeating. Repeating. Repeating. Repeating. We have a set way of doing things and we follow it.We repeat these actions to fill up our lives with substance so that there is at least something there to start with and so that we have the ability to move forward and continue. Think of it as muscles. Muscles give our body substance to stand up and it is what allows us to move as well as other necessary functions. In our world we use a clock to stay in touch with time. Time. Timing. Bad timing. Time is a fundamental concept that guides humans through life, gives s tructure, as well as ages and heals. We also say funny things sometimes and we do use a language to communicate. It is how we use all these things that matters.