South Africa :: History Essays

reciprocal ohm AfricaSouth Afri rotter landscapes provide us with the lush greens of the jungle, the juiceless glom of the savanna, the majesty of the mountains, the eroded ashes of the desert and the high-rise mortar of the city. A filmmaker can find there any circumstance desired as the scenery for his motion picture, but variety is not the only true value of the African landscape. Here we find the lush, healthful tended greens that represent the wealth and control of the Europeans who have invaded the country the prohibitionist savannas where the animals roam freely, but the native peoples are restricted the eroded clay that somehow manages to sustain life and reminds us of the outlying township slums that somehow sustain oppressed lives and the stifling city where a restrictive presidency and looming skyscrapers bear down to oppress the human race spirit. According to Hugo Munsterberg, the photoplay tells us the human story by overcoming the forms of the outer world, na mely, space, time and causality, and by adjusting the events to the forms of the inner world, namely attention, memory, imagination, and emotion (104). The South African landscape reflects its countrys muniment and the struggle of its people, and when a director chooses it carefully for background in his film, it can add emotional and symbolic depth to his message. In 1652, the Dutch tocopherol India Company came from Europe to South African soil to set up a fort for the purpose of replenishing their ships with supplies. The Europeans, in their high and mighty way, adage South Africa as land for the taking complete with savages and rugged landscapes to be tamed and civilized, and so begin the colonization of the country. When Cy Enfields Zulu (1964) opens, Lieutenant prat Chard is attempting to tame a piece of that landscape as he is trying to build a bridge across the river at Rourkes Drift. Ironically, the mountains surrounding Rourkes Drift present an untamable foe to the one speed of light forty British soldiers camped there. The soldiers have been informed that the Zulu are coming, and the audience is emaciated into the soldiers world while together they watch for the destined attack along the elevated landscape. The soldiers find themselves facing thousands of skillful and determined native warriors who face to appear from nowhere with the help of the natural mountain formations and the dry grass that hides them.